Engaged ladies have a mountain of makeup tasks ahead of them and it is something that they would have to deal with at some point or so. As a wedding photographer peterborough, you do not have to put on the makeup yourself but it will benefit your photos a lot if you are able to be at least fairly knowledgeable with it. It can be a bit of a winding and long path for someone who is not that into makeup but the basics are pretty understandable for as long as you take enough initiative in really trying to learn as much as you can about it. The kind of makeup that you are looking for in wedding photography is something that will get to highlight all of the great features or the bride, conceal her flaws, and make her look smooth, divine, and glowing overall.
Before all the makeup is put in, it is extremely important for the makeup artist to make sure that there is a base. A high quality primer will be great in filling in any fine lines or any other imperfections in between. The camera can be quite a cruel thing when it comes to scrutinizing and magnifying any little imperfections on the face. A primer can also do wonders in making sure that the makeup lasts all day and does not melt at the first signs of humidity.
Check if the neck of the bride also has full coverage. A lot of people make the mistake of stopping right at the jaw line. An expert in wedding photography though will know and understand the fact that this can be a very bad idea because of the fact that the color difference will really look extremely obvious when the photos come out at some point. A flawless transition and evenness in the color tones will make sure that you get great looking photos every single time.
Avoid reverse raccoon eyes
And speaking of keeping things even, this is a principle that should be carried out across all the aspects in relation to the application of makeup. Another thing that you should wary about would have to be the reverse raccoon eyes. This typically happens when concealer alone is being put under the eyes. The shade that concealers come with is oftentimes too bright. The best way for you to avoid that would be to mix it in with a slightly darker shade of foundation so that you can even out the color tones.
Proper face contouring
Also make sure that the face is properly contoured. A sheer bronzer will usually get the job done but there are a ton of different other products out there that will contour the face just fine. It is always best to opt for something that will be able to expertly create shadows on the face without making it look a little too sharp and a little too dark at the end of the day. What you want is something that is flattering and something that can really expertly frame the face.
You have probably already come across the conflicting choice between RAW and JPEG. Although a lot of professional wedding photographers out there hands down vouch for RAW files, you cannot help but notice the good things that JPEG files can bring into the mix at some point. After all, when it all comes down to it, JPEG consumes far less memory space than RAW does. JPEG also does not fill up the camera buffer too fast which means that your camera can function in its optimal speed and will not slow down or lag compared to how it usually will if you opt for RAW. Still, a professional wedding photographer will continue to argue that RAW files are the way to go. And whenever an argument is as forcefully defended as this, it is probably high time that you go ahead and more or less check out the reason why.
What are RAW files exactly?
In the plainest sense of the term, RAW is basically a file format that gleans all of the information that has been captured by the camera directly from its sensor. It technically means that it has all of the information intact at some point. This means that the wedding photographer gets tremendous advantage when it comes to the quality of the photos that he is getting. Any flaws in the images can be easily fixed without jeopardizing the quality so much because all of the necessary information can be checked back on because they have all been archived one way or the other.
This may sound counterproductive but shooting in RAW will be able to give you better prints
You are probably thinking that all that matters these days are the digital images but you are actually quite mistaken when it comes to that particular aspect. Brides and grooms still pretty much appreciate and value the novelty of good looking images in print. Although practically everything is digital these days, people still hold on to the tangible things that they can keep and take a look at one way or the other. RAW files offer better gradation in terms of colors and tones and that basically means better pictures. The brides and grooms will thank you for it. You will thank you for it, even.
RAW files are powerful in a sense wherein they get to empower you as a wedding photographer
More often than not, one of the most stressful parts of covering a wedding event would have to be the post shoot process. There are so many things do to, so many things to think of in terms of editing, and even worse, you would have to work on a time crunch because clients would usually ask for a few days after the actual event as a decent turnaround time table. If you are dealing with huge batches of pictures, this can be tricky to work with. RAW files, when paired up with programs such as Aperture and Lightroom, will allow you to breeze through huge numbers of pictures without ever losing time in between because it can afford you with a really efficient workflow. You can find samples of great wedding photos at http://www.carlglanceyphotography.com/
If there is one thing that a wedding photographer hampshire should understand well ahead of time and well ahead of the game of pretty much anything else, it would have to be the fact that he can never ever run out of juice. That is one of the most inexcusable wedding photographer sins out there and should well be avoided. Here is a news flash for you if this is something that you have never done before: one battery is not enough for you to last an entire wedding coverage shoot. You need at least two extra camera batteries set aside and fully charged so that you can be rest assured in the fact that you will never ever run out of batteries. You do not want to end up dumbfounded and just a tad bit silly having to make up an excuse on why you missed some moments in the wedding event. You owe your paying clients so much more than that. Please give them exactly what they have paid for and do not neglect this.
You will really need a second shooter one way or the other.
If this is something that you are slightly worried about, that is quite understandable. After all, a second camera in itself is already pretty expensive; imagine how the costs will rack up if you will have to hire a second shooter. If you are extremely smart and resourceful, this is something that you can easily get away with and still face the problem with a solution spot on. Get in touch with some of the new wedding photographers in your area and ask around if they will be willing to trade services with you. If they will agree to become a second shooter in your event, you will return the favor by being a second shooter in theirs. Chances are, you have just about the same challenges and dilemma they are facing. It really is all a matter of being able to tap into a mutually beneficial agreement at the end of the day. You will have no added cost and they will most likely bring their own cameras for the coverage. It really will get to solve the problem and you are basically hitting two birds with one stone.
Back up your files accordingly; twice if you can.
Your files are your most important products. They are the tiny drops of nectar that come from hours and hours of gleaning through hard work, time, and possibly punishing your feet from standing and running around all throughout the event. Make sure that you back up your files safely and properly. At this point in time, you cannot afford to be neglectful with them. Invest in two external hard drives and store them in different places. That way, if something happens to one, you will still have the other. Make it a habit to really clean out your memory cards after every single use. This will help them last longer and will help you avoid the issue of getting your files corrupted in the middle of a shoot.
If you have a schedule for a bride and groom photo shoot before the wedding starts, always expect that time allotted to pretty much be cut in half. For example, if the bride and groom gave you an hour before the wedding starts, chances are, you will only be getting thirty minutes. Plan your schedule around this particular kind of possibility because anything and everything can happen during the actual wedding day and it is extremely important that you are able to pretty much manage your expectations well ahead of time. Wedding photographers Ireland are great in managing their schedule for a wedding event..
You have to understand the fact that your time alone with the bride and with the groom is extremely limited and once you actually get to be in that window, you have to utilize and maximize that said allotted time. Make sure that you are able to get all of the shots that you would like to get and be as efficient as possible. Plan the poses ahead of time and visit the venue ahead of time as well so that you know exactly where to position them and not end up wasting any time mulling over what the next big pose should be.
Talk to the bride and ask for an assistant or coordinator for the actual wedding day
You need to have that important go-to person that you can go ahead and consult in the event that you have any questions or anything of the like. During the actual wedding day, there is a very huge probability that you will not be able to get some time alone with the bride and groom in order for you to ask any questions that you may need some answers for. Try to ask for someone who is a “key player” who knows all of the family members and who knows what the bride and groom’s preferences are in terms of how things go.
This is something that you will especially be thankful for and appreciate when it is time for you to do the family shots. The bride and groom will oftentimes be in all of the shots so it is highly unlikely that they will actually be available for any kind of questions or confirmations. Your go-to person will help you point out which family member goes with which group.
Bring some sticky tape along for good measure
In wedding photography, you need to brace yourself and prepare appropriately for any possible fashion mishaps that might happen because believe it or not, there will be something there one way or the other. Sticky tape is one of the most versatile and practical fashion “band aid” that you could ever bring to the celebrations. You will be surprised at how many bad stitching jobs can turn up in the most unexpected of moments. The groom’s pants may be too long, one of the bridesmaids’ dresses may unravel at the hems, and so on and so forth. It will probably be even quite safe to say that there is nothing that sticky tape cannot do for as far as fixing any fabric related problems.
The first and the most important thing that you would need to understand would have to be the fact that wedding dresses come in white more often than not. That has always been the case for the past one hundred years or so and it looks like that will be the case moving forward. It does not look like the white dress thing will be going away any time soon and you should seriously work it out because this is something that wedding photographers have been dealing with for the longest time possible. The white dress can come with an awful lot of challenges though. How it works is that the light meter of your camera will notice the wedding dress and not understand why it is something that is so white.
It will not recognize it as something that is white either. It will think that the wedding dress is a giant bright spot that needs to be dealt with. The point of the matter though is that it is just white, not too bright. What you need to start doing is to dial in some positive exposure compensation in your camera at some point. It is one of the quickest and most practical fixes that you could ever get your hands on. It will fix your problem within seconds.
Another important note that wedding photographers should be taking by all means is the fact that they need a second camera, period. There are no if’s and but’s and absolutely no way around this. It is something that is extremely handy in the event that something happens to your primary gear. You need some kind of insurance to keep you covered if something ever happens. The insurance part aside, having a second body camera will let you switch in between lenses smoothly and without too much hassle. You will need more than just a change of perspective every now and again and having a second camera with a different kind of lens will give you just that.
If you are just starting out and you do not have the right kind or amount of money for it just yet, there is no need to worry, you don’t have to buy one just yet. Try to look and ask around if you have any fellow photographer friends who might be interested in letting you borrow one as a favor. If you do not have that option however, there are a lot of places that will let you borrow a second body camera for a respectable enough price.
Help and preparation
The point is the fact that it is always an uphill struggle when you are just beginning to work out your career as a Suffolk wedding photographer. You will need all the help and all the preparation that you can ever get your hands on at some point. Do all of the necessary research and brace yourself for all of the possible expenses that technically come along with it. You will not be getting a return on your investments right away but you will eventually get the returns pretty soon if you are patient and diligent enough.
Capture all of the details of the wedding dress and make sure that you do not forget about the train.
If there is one thing that you should absolutely not forget or neglect in wedding photography, it would have to be the wedding dress and the train in particular. Brides literally spend a fortune, a king’s ransom, an arm and a leg (however you would like to depict the term expensive) to make sure that they get the prettiest and the most gorgeous looking bridal dress out there for the most important day of their lives. As the wedding photographer bristol, you should work on committing to doing justice to the dress. They only get to wear it once and only during that particular day. They will not exactly be able to wear it again.
The photos that come out of what you produce are the only things they will have left when everything is done and over with. If you neglect the dress, the bride will never forgive you for that particular misstep.
Be a little more spontaneous with the photos you are filming.
This really varies depending on the kind of wedding photography style that you are looking for. But regardless of the style, you should seriously leave some breathing room for the more candid and naturally occurring moments. Being organized and prepared is great and all that but you are also looking for unique and great shots that are out of the ordinary. These shots are extremely hard to come by if all that you focus on is just the choreographed photos. Be on your toes and stay alert. Keep an eye out for interesting photo op moments that are unplanned or unrehearsed.
Give yourself a little more room to breathe while you are doing your coverage.
Weddings are long and tiring. They are hands down one of the most difficult things to cover in the world of photography. There is a lot of running around and monumental or important moments that you can’t miss and so many things can go wrong with just a drop of a hat. That is why you need to give yourself a break if you can find the opportunity. Nobody likes looking at photos of people eating so you should probably pick that timeframe to grab a bite yourself and relax a little. Nothing great comes out of a stressed wedding photographer.
Move around a lot.
There are so many things happening all at once in a wedding. The last thing that you need to do is to stay glued to one spot and be limited to that range of view. Move around a lot and always look out for great photo opportunities. Change the perspectives a bit every now and then and put in a new spin on the scene if you can.
It’s ok to let the people attending the wedding have a little fun and it’s OK to take photos of them as well. It doesn’t always have to be all serious and boring. A little fun and personality can go a long way too.
If you want to become a really skilled wedding photographer, you have to be prepared for a bit of a journey because this is not the easiest thing that you could ever come across with at some point. You need to think things through and really think about whether or not this is something that you can really do and pull off at some point. Wedding photography is a tough crowd to market. This is mainly due to the tons of different options made available out there at some point.
The crowd is choosy and tough but the competition is something that is even way tougher. There are a lot of wedding photographers out there who have already pretty much established themselves in the industry but you can definitely weasel your way in with the right kind of strategy and planning.
Learn something new
A wedding photographer will never pass up an opportunity to learn something new. Photography is an ever evolving and ever changing craft and if you would like to stay in the industry and pretty much thrive in it at some point, then you should be willing enough to learn as much as you can. Try to look into what kinds of training, classes, or seminars so that you can add on to whatever skills you may already have. This may cost you something that first but you have to remember and pretty much understand that education is just as much as an investment as the next high end DSLR camera out there.
A skilled photographer will also make sure that he prepares everything well ahead of time both set-wise and gear-wise and pretty much everything else in between. If this is something that you would like to be, then you should be sure to really think things through and prepare everything well ahead of time. Scout the wedding venues even before the wedding date so that you can see how the shadows and light come into play. Do some practice shots and try to see if you can include the couple as well in the entire process. You can even put this up as an engagement photo shoot. It will look attractive for the clients whom you are bringing in.
A skilled photographer makes sure that he takes care of his gear and maintains everything and make sure it is spic and span and clean as a whistle. As a wedding photographer, your gear is one of your biggest investments. You should go well out of your way to make sure that you clean and store your cameras and all of your accessories routinely after every single use. This will prolong the life of your equipment. Store them individually and store then accordingly. Invest in a high quality camera bag so keep your assets protected.
Savvy in networking
A skilled wedding photographer andover will also make sure that he is savvy with the networking side of things. Learn how to speak up and introduce yourself and what you do to people. Tap into the wedding industry social circle by making friends with wedding planners, florists, etc. and give out your business cards in all of the right places.
If you ever want to be able to make it as a professional wedding photographer, you need to have enough experience so that you have something to spring yourself from first. Experience is one of the biggest requirements for anyone to be a wedding photographer – at least next to the cameras he uses. This may sound ironic, don’t you think? You need to have an experience of covering weddings first before you start officially covering wedding events. How you can do this is by contacting any professional wedding photographers you may know and ask if they will allow you to assist them in the wedding events that they are covering.
This will be the perfect chance for you to get your feet wet before you head out and start getting your own clients at some point. You may also practice by covering the wedding events of family members and friends and you can do it for free to begin with so that you get nothing but takers.
If it is still a bit premature for you to go ahead and assemble your very own team, then at least get someone to assist you when covering your first few wedding events. Weddings are extremely huge events that require a lot of coverage in terms of the work that is being put in. Recruit at least one other person to be in your team to help cover up the ground work. You don’t always need to put them on payroll just yet. What you can try to do is to get someone on a commission basis. That way, you are not pressured of the upkeep and can instead just pay whenever you get a gig.
Get as much formal training as you can get your hands on, if you get to have the chance. A formal background in something technical like wedding photography Hertfordshire will ensure that you get to have first dibs on all of the high profile photography jobs available out there. You will also know a whole lot of things about the technical aspect of things and have some sort of methodology to the things that you do for as far as wedding photography is concerned. It is one of the best investments that you can ever make because it involves new skills being learned and that is something that no one can take away from you.
You need to make it your priority to always converse with your clients in the most open and candid of ways, if you can. Talking to your clients may seem daunting at first but if you seriously start to commit on this, you and your clients can establish a nice working relationship. Getting everything discussed in detail will mean that you more or less have everything pre-planned and pre-agreed and what that means is that there are less surprises and satisfaction is almost always guaranteed because there are no surprising curveballs swinging around. This also means that you will be getting better recommendations in the future because of the mere fact that you and your clients are able to see eye to eye.
Tripods are perfect tools to use for instances where there is not a lot of natural light readily available. Wedding photographers may film in different times of the day, and it is really depending more on what the clients’ preferences are. The issue with having a relatively low amount of natural lighting, such as what the case is when filming during sunsets and nighttime is that the camera adjusts by shifting to a slower shutter speed. This will enable the camera to adjust and still be able to take bright enough photos despite the obvious lack in natural lighting. The downside to this though is that there’s an involuntary camera shake that comes along with it which may result to blurred images. You can avoid or mitigate this risk by having a tripod used and set in place.
Tripods are multipurpose and flexible
Mind you, these extremely useful tools are not just for holding the cameras; they can hold pretty much anything you need. They can hold the light, an umbrella for outdoor settings, a camcorder, a flash unit, a reflector – you name it, you got it. Basically anything and everything under the sun that is related to photography can pretty much be held up by a tripod. If that isn’t reason enough for you to purchase it, we honestly don’t know what will.
Taking close up shots
When you are taking close up shots, you can also highly benefit from using a tripod. What you need to understand about getting portrait photos that are usually extremely close up is the fact that any minor movements or nay miniscule changes at all whatsoever, will most likely change the effect that you are going for in the photos. You need to have the camera as stable and as grounded as possible and there’s nothing better out there for that than a good quality tripod to basically hold your camera up.
Long filming sessions
When you are held up in long filming sessions, the use of a tripod will help you take stable enough photos despite the fact that you can be in there for hours. Over a long expanse of time, having a handheld camera and going about it all throughout the shoot will leave you tired and exhausted and your hands may not always be as stable and as shake free as you would like it to be. You can change the perspectives and the angles and everything else without being able to tire yourself out. This is an extremely nifty device for wedding photographers London to invest in.
Telephoto lens usage
If you are using a telephoto lens, using a tripod will also be extremely useful to you. Telephoto lenses are very hard and challenging to steady and to keep stable. Due to the lengthy focal capacity of the lens, it can drastically magnify any vibrations caused by the shutter clicks of the camera. It’s a very general rule of thumb. Slow shutter speeds should equate to the usage of a tripod. Take note of this and you can never go wrong for as long as a telephoto lens is concerned.
Again, we say this over and over again time and time again but we feel as if this is still not being reiterated enough just yet – you need more than just one camera when covering event photography gigs. It would perhaps even be fair to say that you need quite an army of cameras particularly if it’s a really huge event. These things don’t come cheap but if you get to play your cards right and if you are able to thrive in the niche market of event photography, these investments will double, triple and even quadruple the initial amount of money you have put in for the equipment.
Assemble a team to help you out when covering event photography gigs
Again, events that have a budget that is big enough to allot some money to hire out professional event photographers should already tell you right off the bat that they’re pretty big and going in solo or with just one other person just won’t cut it. You will need a fully functioning team of three or more people. Go through the things that are required of you in the contract again and make sure that you are able to satisfy all avenues. You are dealing with veritable professionals in these events and it should be just fair that you bring in you’re A game in all this as well. Plus, a team provides you with the necessary safety net in order for you to be able to mitigate all the possible risks that may suddenly pop up.
Collect an assortment of lenses so you have variety in your shots
Different kinds of lenses provide you with different kinds of perspectives that will ultimately deliver different kinds of results. You owe it to yourself and to your clients to make sure that you are able to thrive in all that artistic capabilities by investing in a good assortment of lenses that will make you do your job beautifully.
Learn how to professionally touch up the photos post shoot
The amount of work that goes in the post shoot processing is just as tedious and just as technically and artistically challenging as the amount of work that goes in the actual filming process itself. You need to make sure that you are not lacking in any of those departments by all means. Take some classes. Get yourself trained. You can even teach yourself if you have the knack for that. The point is, you need to learn it and you need to be able to do it in order for you to complete the event photography job package.
Always scout the location before the event day itself.
Expert event photographers always scout the venues ahead of time. It’s both out of novelty and practicality. You get to seep in the vibes of the place and at the same time get practice shots so that you are better acquainted with it the moment the actual event rolls in.